Always heard so much; had never seen her.
In post “Ok… Thank yous to A. — pointing out my major embarrassment bad — Williamson & Warren — well, Happy New Yearat least…” I write:
Then the event chimes in, in a more than initially obvious way, with my deep intellectual and emotional engagement with Judaism. The victims were obviously not all Jews. And the women garment workers that had gone on strike less than two years before the fire to demand better working conditions were also not all Jewish. But the harshness and persecutions of life in Eastern Europe, the progressive impulses Jews had collectively developed in response to that harshness and injustice, the dislocation of immigration, and an America — but especially a New York — that was a receptive vehicle for that whole psychological complex, made them disproportionately important in the movement and the whole series of events.
The proposal for a general strike for all garment workers in 1909 at the main hall of Cooper Union was made by a frail, twenty-three-year-old seamstress, Clara Lemlich — in Yiddish**, and a response from the crowd was a little slow in coming because it first had to be translated into Italian and English. They were koritsakia, malaka; most had just come; they hadn’t even learned English yet. There’s a women’s organization — I dunno who — that goes around the East Village and Lower East Side on March 25th and writes the names of the victims in chalk on the sidewalks in front of the houses where they lived: on the same block, next door to each other some of them. The neighborhood must’ve felt its heart ripped out.
But when the response to Lemlich’s proposal was delivered, it was a resounding “YES!”. And Jews need to remember and be proud of the fact that they’ve been over-represented ever since in every progressive movement that made America — but especially New York — what it became in the 20th century.
** This is just one thing that makes Yiddish, along with Neapolitan and Caribbean Spanish, one of New York’s three sacred languages.
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