Tag Archives: Satyajit Ray

Also lost to Covid in 2020: Soumitra Chatterjee

31 Dec

A huge loss for Bengal, Indian film and world cinema.

These photos of Chatterjee are from what I think is his most rivetting and sexy performance, as Amal in Satyajit Ray‘s Charulata. The relationship between an older brother’s bride and the immediate younger brother is traditionally a very intimate one in India; apparently she becomes a kind of a big sister or younger vice-mom to him. Intimate, but of course not that intimate, which makes the whole idea strange to begin with because why should intimacy be encouraged in such a potentially transgressive situation at all. But, well, I guess that’s India: full of totally weird things whose genius takes time to reveal itself. And, weird or not, in this film Amal and his sister-in-law Charulata (the great Madhabi Mukherjee) do become intimate in very, very subtle but ultimately convulsive ways.

So… Soumitra Chatterjee and Madhabi Mukherjee in a Satyajit Ray film based on a novel by Rabindranath Tagore; this film was a veritable Bangla-fest of talent and the arts! And Ray often described it as his favorite of all his films.

Here’s a good discussion of the film: Charulata (The Lonely Wife)

And here’s the whole film. It’s from a beautiful print and it has easy to read subtitles. Watch it with whiskey and some butter-toasted cashews tonight instead of wasting your time and money doing dumb shit. It’s captivating, from the first frame.

The odd κουνιάδο-νύφη relationship, with its tricky boundaries, is also why Janardhan Jakhar “Jordan” (the Ranbir Kapoor character) in Imtiaz Ali‘s 2011 mega-hit film Rockstar, is thrown out of his family home in the story’s opening.

See this beautiful video:

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Begum Akhtar

11 May

Still the undisputed queen of the sung Urdu ghazal and a figure of great and deep love for Agha Shahid Ali:

And below, in Satyajit Ray’s 1958 Jalsaghar (The Music Room), though here I need to own up to my ignorance and admit that I’m not sure if she’s singing a ghazal or thumri or some other genre.  It’s also extremely annoying and, to say the least, odd, that Ray would disrespect her performance so much by pasting most of it over by cutaways of the audience and especially the film’s idiot nouveau-riche neighbor who doesn’t even know what he’s listening to:

Begum Akhtar in Jalsaghar : (not allowed to embed it, logic of which I never understood…)

Here’s a photo anyway and more info: Begum Akhtar

 

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