Riz Ahmed, Immigration, Suketu Mehta and me, Identity Politics, and Varun and Sidharth’s “shining future”

21 Sep

riz-ahmedRiz Ahmed is the first man of Asian descent to win an acting Emmy Getty Images

Suketu Mehta’ conclusions in “This Land is Their Land” (see: Suketu Mehta in Foreign Policy addendum, whole text) echo some of my points on immigration in Greece, Britain, U.S. and everywhere (see: It’s immigration, “stupid”: the United States’ best-kept secret…streams of thought on a hot Sunday afternoon).

Me:

“It’s when immigrant/migrants/refugees are leaving that you should worry.

“My often-stated opinion that the West has both the resources and the historical obligation to take in every-body that needs and wants to come still holds.  That the European Union’s migration agreement with Turkey marked people fleeing a country in the condition of Afghanistan’s as “economic migrants” was a scandal.  But when you’ve got a problem with Poles — whit-er, better-educated, harder-working, more Christian, cuter, better-mannered and less binge-drinking than you — then you really do have a problem…

polish-scum

“America’s best-kept secret, despite what trailer trash Donald Trump and his crew tell you, is that immigrants are a self-selecting group of already highly motivated people who are connected and aware enough to have heard that things are better where you are.  And they’re not coming to take that from you; they’re coming to improve it.  They’re the A-list crew that crashes your party because they’ve heard your parties are the ones to crash and in the process makes them even more of the hottest ticket in town.  It’s a self-fufilling, auto-re-perpetuating process.

“New York, in other words.”

“Olympian Zeus, king of the gods, will tear your head off if you’re unwelcoming to the stranger — or worse, for a Greek, make you ugly — so you better watch out. He comes in disguise to test you. Like the angels to Abraham.”

“So…wooops…there they are. Here they come! They’ve arrived. And they’ve instantly made Greece a more interesting place. And interesting is strong. And strength is freedom.”

And Mehta:

“Countries that accept immigrants, like Canada, are doing better than countries that don’t, like Japan. But whether Trump or May or Orban likes it or not, immigrants will keep coming, to pursue happiness and a better life for their children. To the people who voted for them: Do not fear the newcomers. Many are young and will pay the pensions for the elderly, who are living longer than ever before. They will bring energy with them, for no one has more enterprise than someone who has left their distant home to make the difficult journey here, whether they’ve come legally or not. And given basic opportunities, they will be better behaved than the youth in the lands they move to, because immigrants in most countries have lower crime rates than the native-born. They will create jobs. They will cook and dance and write in new and exciting ways. They will make their new countries richer, in all senses of the word. The immigrant armada that is coming to your shores is actually a rescue fleet.[My emphases]

Was that one of the subtexts or even the skeletal structure of “The Night of…”, the brilliant mini-series and incredible ethnographic essay on New York from HBO for which Ahmed won his Emmy: good, criminally uninclined, son of hard-working Pakistani immigrant parents from Jackson Heights, with …a shining shining future
Sadda bright si (see full video at bottom), gets led to his doom by decadent white girl? or is he a good Muslim boy led astray by Hindu seductress disguised as lawyer who then screws herself in the process?  (I have to admit that the sexual scratch-marks on the back of Ahmed’s character, Naz, that come to light in one courtroom scene put me in mind of the Gita Govinda.)  Or more misogynist than that even: that women — period. — are trouble?

‘The Lovers Radha and Krishna in a Palm Grove’; miniature painting from the ‘Tehri Garhwal’ <i>Gita ­Govinda</i> (Song of the Cowherds), Punjab Hills, kingdom of Kangra or Guler, circa 1775–1780

Some of the frustrating contradictions of identity politics in the Washington Post‘s Riz Ahmed makes history as the first South Asian man to win an Emmy acting award.  If Riz Ahmed wants to not be type-cast as a Muslim or South Asian man every time he gets a role, but to eventually just play a character called “Dave”, then he’s going to need his fans’ help and have them not get apoplectically happy because he’s the first “Asian” (whatever that means) to win an Emmy, but because he’s a great actor who won an Emmy.

In the meantime, tabrik.

Comment: nikobakos@gmail.com

 

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: