Tags: Armenians, Azeris, Aşık Kerib, Farsi, Georgians, Harutyun Sayatyan, Iran, Kurds, Persia, Sayat Nova, Sergei Paradzhanov, The Color of Pomegranates, Turks
One Response to “P.S. on Kamyar Jarahzadeh’s piece on Sayat Nova”
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Photo: Claddagh, Galway, 1913 — and Paradzhanov | Jadde-ye-Kabir -
November 24, 2017
[…] sumptuousness of her dress against the barefoot poverty of the frame). Too bad Paradzhanov (and here) could have never made an Irish film. So much of his footage (or his photographer’s Mikhail […]
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Balkans, Anatolia, Caucasus, Levant and rest of ME, Iran, South Asia
Me, I'm Nicholas Bakos, a.k.a. "NikoBako." I'm Greek (Roman really, but when I say that in English some five people in the world today understand what I'm talking about, so I use "Greek" for shorthand). I'm from New York. I live all over the place these days. The rest should become obvious from the blog.
See "JADDE: THE MISSION AND STARTING OFF, the blog's first entry below, and JADDE: THE NAME OF THIS BLOG for my general agenda:
Please contact me with comments, questions, complaints or -- please -- corrections at: nikobakos@gmail.com and on Twitter: @jaddeyekabir
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Recent Posts
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- Women from villages in the region of Ikonio (Konya) in the 1910s January 15, 2021
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- Photo: Selfie in Jiannena January 15, 2021
Jadde: from Bosnia to Bengal 
Sorry. Kind of a moral mission on my part: can’t let celebration of cosmopolitan, tolerant Islam (or any monotheism) get away with exaggerations.
A tableau/scene — the still, fabulous compositions of Paradzhanov’s style, that make so much of his work “our parts” pornography, in essence — from Color of Pomegranates:
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